Alternate Picking
Master the foundational picking technique that unlocks speed, precision, and clean articulation across all styles of guitar playing.
What is Alternate Picking?
Alternate picking means you strictly alternate between downstrokes (∏) and upstrokes (V) regardless of string changes. Every note gets picked, and the pattern never breaks: down-up-down-up-down-up.
Why Alternate Picking?
• Most efficient motion for speed (minimal pick travel distance)
• Even, consistent tone on every note
• Works across all genres and techniques
• Foundation for economy picking and sweep picking
The Challenge
String changes can disrupt the pattern—this is where most players struggle. Crossing strings while maintaining strict alternate picking requires precision and practice.
Proper Technique
Pick Grip
Hold the pick between thumb and index finger with just enough of the tip exposed (2-3mm). Too much pick = sloppy, too little = stuck in strings.
Wrist vs. Arm Motion
Slow to medium speeds: Use wrist rotation (like turning a doorknob)
Fast speeds: Combine wrist with forearm rotation for efficiency
Avoid: Using only fingers or elbow—these tire quickly and limit speed
Pick Angle
Slight angle (pick edge leading) reduces string resistance. Experiment to find what feels smooth—too flat = sticky, too angled = thin tone.
Anchoring
Some players anchor their pinky on the guitar body for stability. Others float their hand. Both work—choose what feels natural and doesn't create tension.
Essential Exercises
e|---5-6-7-8---8-7-6-5---|
∏ V ∏ V V ∏ V ∏
Start slow (60 BPM), increase by 5 BPM when perfectFocus on even volume and timing. Every note should sound identical. Use a metronome and don't increase speed until you can play 10 perfect repetitions.
e|---5-6-7-8--------------|
B|-----------5-6-7-8------|
∏ V ∏ V ∏ V ∏ V
Notice: Downstroke on string changeThis is the classic "outside picking" pattern—downstroke crosses to the next string. This feels natural. Practice until smooth, then try starting with an upstroke (inside picking) for the challenge.
e|---5-7-8------------|
B|---------5-6-8------|
G|---------------5-7-9|
∏ V ∏ V ∏ V ∏ V ∏
Three notes per string forces awkward string changesThree-note-per-string (3NPS) patterns are the hardest for alternate picking because string changes happen on upstrokes and downstrokes. Master this and you can alternate pick anything.
e|---5-------8-------|
B|-------6-------9---|
G|--------------------|
∏ V ∏ V
Skip the middle string while maintaining alternate pickingString skipping with strict alternate picking is extremely challenging. Your pick must travel further while maintaining the down-up pattern. Start slow and focus on accuracy over speed.
Common Mistakes & Fixes
Mistake 1: Accidental Double-Downstrokes
When crossing strings, players often unconsciously do two downstrokes in a row, breaking the pattern.
Fix: Practice with a metronome at half-speed, counting "down-up-down-up" out loud. Record yourself to catch mistakes.
Mistake 2: Tension in Hand/Wrist
Gripping too hard or tensing the wrist kills speed and causes fatigue/injury.
Fix: Practice with minimal grip pressure. Your hand should feel relaxed, almost loose. Take breaks every 10 minutes.
Mistake 3: Rushing to Speed
Trying to play fast before the technique is clean leads to sloppy, uneven playing that's hard to fix later.
Fix: Use the "10 perfect reps" rule. Don't increase tempo until you can play 10 perfect repetitions at current speed.
Speed Building Strategy
Week 1: Foundation (60-80 BPM)
• Exercise 1 (single string): 10 minutes daily
• Exercise 2 (two strings): 10 minutes daily
• Focus: Perfect technique, no tension, even volume
Week 2: Consistency (80-100 BPM)
• Add Exercise 3 (3NPS scales): 10 minutes daily
• Continue Exercises 1 & 2 at higher tempos
• Focus: Maintaining relaxation as speed increases
Week 3: Endurance (100-120 BPM)
• Practice each exercise for 5 minutes without stopping
• Add Exercise 4 (string skipping)
• Focus: Stamina and consistent technique over longer periods
Week 4: Speed Push (120-140+ BPM)
• "Burst" practice: Play short phrases at your max speed, then slow down
• Apply alternate picking to real songs and licks
• Focus: Pushing limits while maintaining clean technique
Recommended Video Lessons
Alternate picking isn't just an exercise—it's how you'll play scales, arpeggios, and fast licks in actual songs. Once you've built the foundation with these exercises, apply the technique to:
Scale runs: Practice major, minor, and pentatonic scales with strict alternate picking
Famous riffs: Learn fast riffs from Metallica, Iron Maiden, or Megadeth using alternate picking
Improvisation: Use alternate picking when soloing to maintain speed and clarity
Arpeggios: Combine alternate picking with arpeggio shapes for neo-classical sounds