Tapping
Master the iconic two-hand technique that defined rock guitar—from Eddie Van Halen's "Eruption" to modern virtuosos.
What is Tapping?
Tapping means using fingers from your picking hand (usually index or middle finger) to "hammer on" notes on the fretboard, just like your fretting hand does. Instead of picking, you tap the string hard enough to make it ring, then pull off to reveal notes fretted by your other hand.
Why Tapping?
• Play intervals impossible with one hand (wide stretches, multiple octaves)
• Extremely fast legato runs without picking every note
• Unique, fluid sound that's instantly recognizable
• Visual impact—looks as impressive as it sounds
Notation
T = Tap (picking hand), H = Hammer-on, P = Pull-off
Basic Technique
Which Finger?
Most players use their picking hand index or middle finger. Index is more common for single-note tapping, middle for two-hand tapping patterns.
The Tap
Strike the string firmly with the pad of your finger (not the tip) right behind the fret, just like a hammer-on. The motion comes from your wrist or arm, not just the finger.
Common mistake: Tapping too softly. You need to hit hard enough to make the note ring clearly.
The Pull-Off
After tapping, pull your finger off the string with a slight downward motion (toward the floor). This "plucks" the string and makes the next note ring.
Don't just lift straight up—pull slightly to give the string energy.
Muting
Use your picking hand palm or unused fingers to mute unwanted string noise. Tapping can create sympathetic vibrations on other strings—muting is crucial for clean sound.
Essential Exercises
e|---12-5-0-12-5-0-12-5-0---|
T P P T P P T P P
Tap 12th fret, pull off to 5th, pull off to openSetup: Fret the 5th fret with your fretting hand index finger
Motion: Tap 12th fret with picking hand index, pull off to 5th fret, pull off to open string
Goal: All three notes should have equal volume. Practice slowly until smooth.
e|---12-8-5-12-8-5-12-8-5---|
T H P T H P T H P
Tap 12, hammer 8, pull off to 5Setup: Fret 5th fret with fretting hand index, 8th fret with ring finger ready
Motion: Tap 12th, hammer on 8th with fretting hand, pull off both to reveal 5th fret
Sound: This creates a cascading, fluid arpeggio sound
B|---12-5-0-------------|
G|----------12-5-0-----|
T P P T P P
Tap on B string, then G stringOnce you're comfortable on one string, expand to two strings. This creates wider, more interesting patterns. Make sure to mute the B string when moving to the G string to avoid unwanted noise.
e|---12-5-0-13-6-1-14-7-2-15-8-3---|
T P P T P P T P P T P P
Move up the fretboard chromaticallyThis exercise builds speed and position shifting. Start slow (60 BPM) and gradually increase tempo. Focus on even volume and clean pull-offs.
Advanced Tapping Techniques
Advanced players use multiple fingers from both hands to create piano-like passages. Stanley Jordan and Tosin Abasi are masters of this technique.
e|---12---8---5---3---|
B|------10---7---5----|
T1 T2 H H
T1 = picking hand index, T2 = picking hand middleTechnique: Both hands tap independently, creating chords or polyphonic lines
Challenge: Requires excellent muting and finger independence
Sound: Can sound like two guitarists playing at once
Tap 12 frets above a fretted note to create a harmonic. This produces a bell-like, ethereal tone.
Example: Fret 5th fret, tap 17th fret (12 frets higher) = harmonic
Sound: High-pitched, bell-like tone
Use: Eddie Van Halen used this extensively; creates dramatic, soaring notes
Common Mistakes & Fixes
Mistake 1: Tapping Too Softly
Tapped notes are quieter than fretted notes, making the pattern sound uneven.
Fix: Tap harder! Use your wrist or arm, not just your finger. The tapped note should be as loud as the pulled-off notes.
Mistake 2: Weak Pull-Offs
Lifting finger straight up instead of pulling off, resulting in dead notes.
Fix: Pull your finger downward (toward floor) as you lift off. This "plucks" the string and makes the next note ring clearly.
Mistake 3: Poor Muting
Unwanted strings ring out, creating a muddy, noisy sound.
Fix: Use your picking hand palm to mute lower strings, and unused fretting hand fingers to touch (but not press) higher strings.
Tapping Practice Routine
Week 1: Foundation
• Exercise 1: 10 minutes daily at 60 BPM
• Focus: Even volume on all three notes, clean pull-offs
Week 2: Van Halen Pattern
• Exercise 2: 15 minutes daily, gradually increase tempo
• Focus: Fluid hammer-on after tap, smooth cascade
Week 3: String Crossing
• Exercise 3: Two-string patterns, 15 minutes daily
• Focus: Muting previous string when moving to next
Week 4: Musical Application
• Learn tapping licks from songs (Van Halen, Satriani, Vai)
• Create your own tapping patterns over chord progressions
Recommended Video Lessons
Tapping is most effective when used as a musical tool, not just a trick. The best players use tapping to create melodies and textures that would be impossible with conventional technique.
Rock/Metal: Eddie Van Halen, Steve Vai, Joe Satriani—tapping for speed and drama
Progressive: Tosin Abasi (Animals as Leaders)—two-hand tapping for polyrhythmic complexity
Jazz Fusion: Stanley Jordan—two-hand tapping for piano-like voicings
Tip: Use tapping sparingly in songs for maximum impact. One well-placed tapping section is more memorable than constant tapping.